格列佛游記電影觀(guān)后感

　　格列佛游記電影觀(guān)后感第1篇

　　在前段時(shí)間看過(guò)電影《格列佛游記》之后，主人公格列佛的那種無(wú)畏的探索精神和頑強的生命力給了我深深的感觸。

　　小說(shuō)以辛辣的諷刺與幽默、離奇的想象與夸張，描述了酷愛(ài)航海冒險的格列佛，四度周游世界，經(jīng)歷了大大小小驚險而有趣的奇遇。

　　游記中首先講到格列佛被流落到了一個(gè)小人國，身處于小人國的格列佛對于這個(gè)國家的人來(lái)說(shuō)就是一個(gè)巨人，在飲食、居住、活動(dòng)等多方面都給小人國的人們帶來(lái)諸多的不便，經(jīng)過(guò)長(cháng)時(shí)間的討論決定，國王大臣們決定將他處死，當格列佛被告知這消息后他慌忙地逃離了這個(gè)小人國度。真是一波未平另波又起啊，剛從小人國逃離出來(lái)的格列佛又來(lái)到了一個(gè)名稱(chēng)巨人國的國家，在這個(gè)國家，他被一個(gè)農家所收養，并將他成為一個(gè)小玩偶，然后供獻給皇宮貴族們欣賞，他得到了大家的喜愛(ài)。

　　小人國、大人國里光怪離奇的故事深深地吸引了我，然而給我印象最深的是，1710年格列佛泛舟北美，巧訪(fǎng)了荒島上的慧因國，結識了具有仁慈、誠實(shí)和友誼美德的慧因。在慧因國的語(yǔ)言中沒(méi)有“撒謊”和“欺騙”這樣的字眼，人們更不理解它的含義。他們不懂什么叫“懷疑”、什么是“不信任”，在他們的國度里一切都是真實(shí)的、透明的。

　　格列佛在慧因國里度過(guò)了一段美好的時(shí)光，他完全融入這個(gè)社會(huì )，以致于與暗喻人類(lèi)的耶胡交往時(shí)形成強烈的反差，因為他們總是以懷疑的眼光看待他的誠實(shí)，使他感到失落，對人類(lèi)產(chǎn)生了極度的厭惡。

　　我很羨慕文中的主人公有幸能到慧因國，慧因國是我們所追求和向往的理想境地，在這里你不需顧慮別人說(shuō)話(huà)的真假，而在現實(shí)的世界，有著(zhù)太多我們不愿看到的事情常常發(fā)生。

　　理想終歸是理想，現實(shí)才是現實(shí)，我們都只能生活在現實(shí)生活中，盡管現實(shí)中有太多的不美好但我們還是無(wú)法逃避，而是應該學(xué)會(huì )更堅強地去面對，讓自己活出一片精彩�，F實(shí)生活中，我們應該學(xué)習格列佛那種無(wú)畏的探索精神和頑強的生命力。同時(shí)，我也期盼著(zhù)我們的社會(huì )也會(huì )像游記中所談到的慧因國那樣，孩子們的眼中不再有疑慮，教育與現實(shí)是統一的。真心的希望這個(gè)社會(huì )可以多一點(diǎn)真誠、少一點(diǎn)虛偽。

　　格列佛游記電影觀(guān)后感第2篇

　　《格列佛游記》剛開(kāi)始時(shí)他兒子湯姆發(fā)現了雷米爾魯·格列佛，也就是他的爸爸，當他的妻子瑪麗趕到馬棚時(shí)，格列佛也醒來(lái)的，當時(shí)在湯姆和瑪麗看來(lái)，格列佛看起來(lái)說(shuō)的話(huà)和神志都不清楚，都說(shuō)一些不切實(shí)際的，不現實(shí)的語(yǔ)言和故事。如小人國，大人國，和飛島等，在瑪麗和那已經(jīng)占據他原來(lái)家庭的醫生約書(shū)亞看來(lái)，他已經(jīng)有點(diǎn)精神病癥了。但自此至終，妻子瑪麗從沒(méi)放棄過(guò)他。但畢竟已經(jīng)將近9年沒(méi)回家的格列佛，妻子不知道究竟發(fā)生了什么?

　　《格列佛游記》是主要講述了主人公雷米爾魯·格列佛醫生到船上工作，出海冒險的趣事，共有四卷。分別詮釋了他在小人國，大人國飛島國，慧骃國的奇遇有趣的故事。這部電影是以小說(shuō)改編的，它不是單純的少兒讀物，而是飽寓諷刺和批判的文學(xué)杰作。作者喬納森·斯威夫特就是以這本書(shū)來(lái)運用諷刺影射的手法，反映了18世紀前半期英國的社會(huì )矛盾，揭露了當時(shí)統治集團的腐敗和罪惡，并抨擊了侵略戰爭和殖民主義的危害。

　　《格列佛游記》英文影評

　　I want to tread carefully here, and not because I might step on a Lilliputian and squish him. I want to explain who "Gulliver's Travels" is for, and who it might not be for.

　　One person it is definitely for is Gloria DeMent, the 84-year-old grandmother who wrote AP film critic Christy Lemire in horror after spending $96 to take four generations of her family to see "The Nutcracker in 3-D." She wrote: "It broke my heart when we left the theater that my little great-granddaughters (ages 5-13) had sad little, confused faces."

　　Believe me, Auntie Glo, there would have been smiles on those faces after this movie.

　　However, this is not really a movie for Jack Black fans — not the Jack Black of "School of Rock," for sure. They're used to seeing Jack with his shirt off, but to see their bad boy getting tiny cannonballs embedded in his belly may not be what they have in mind, not even when he sticks out his gut and the cannonballs pop out again and demolish an enemy armada.

　　He is standing up to his waist in the ocean at the time. No, not near the shore. Way out where a big enemy navy has massed its warships. Not only is Lemuel Gulliver (Jack Black) a giant in the land of the Lilliputs, but the sea surrounding their land is apparently Lilliputian as well — about three feet deep, I'd guess, judging by Jack Black's not towering stature.

　　As the film opens, Gulliver is celebrating his 10th year in the mail room of a New York newspaper. He has a crush on Darcy, the travel editor (Amanda Peet), who is a good sport and gives him an assignment to write a piece from Bermuda. He falls asleep on board his speedboat and enters the Bermuda Triangle, which, come to think of it, of course is where Lilliput must be. In the land of these 6-inch people, he awakens to find himself tied down with ropes staked to the ground, which is also what happened in Jonathan Swift's classic, but boy, would Swift not ever recognize the rest of this story.

　　Gulliver soon finds himself not a captive but more like a hero, god, adviser and warrior for the Lilliputians, whose society resembles an Arthurian, not a Swiftian, (英文影評)fantasy. On an island with a seaside castle, they wear the costumes and play the roles of medieval romantic swashbucklery. And they talk the talk. To paraphrase one Lilliputian, "Whyeth musteth we always speaketh with all these eths?"

　　The kingdom centers on the beloved and beautiful Princess Mary (Emily Blunt), and the rivals for her affection: King Theodore (Billy Connolly) and Gen. Edward (Chris O'Dowd). Lemuel is able to participate in these intrigues by peering over ramparts or taking a seat on battlements. He is about 12 times as tall as they are. I wonder how he can so easily hear their little voices; if he said "speak up!" they'd be blown away. No matter. Darcy, of course, turns up in search of Lemuel, battles wage, tables are turned, romances blossom and so on.

　　It just occurred to me that you may be imagining this is an animated film, and that Jack Black is voicing Lemuel Gulliver. Not at all. This is live action, and despite the 3-D, it's sorta old-fashioned, not that that's a bad thing. The problem is to contain Lemuel and the Lilliputians in the same frame when he towers over them. It makes for (1) long shots, or (2) shots of Black's enormous face peering at the little folks from over the edge of something. As he stands on the beach with the little fellas, I was immediately reminded of the genie in Michael Powell's masterpiece "The Thief of Bagdad" (1940).

　　I wouldn't describe the special effects as seamless. Far from it. But that brings us back around to our grandmother, Gloria DeMent. Do you think her great-grandchildren are going to be sitting there, saying, "You can see that's done with green screen?" I don't think so. They're gonna be saying, "Thanks, Grandma Glo! This is ever so much better that that scary ‘Nutcracker' movie! There isn't a single Holocaust reference anywhere in it!"

　　Well, in all fairness, the entire Earth is ripped to pieces in a brilliant cartoon that plays before the feature. "Scrat's Continental Crack-Up" stars the manic creature from the "Ice Age" movies, who would destroy the globe to save a nut.
 

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